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Review by: Sable Jak
This is not a book to simply glance through and then put on your shelf and pull out now and then. If you're involved in sound at all, I doubt you could do that. This is a book to carry with you in the field, have next to your computer, in your editing suite and taped to your cereal box so you can read it while you have breakfast.
There is so much information in this thing I don't even know where to begin, so I'll tell you a little set-up information first:
I recorded my own audio drama serial last year (2008) and I wish I'd had this before I started. It sure would have helped stop a lot of stumbling and fumbling around. At the same time, it's more than a little nice now and then to find a piece of information in it that lets me know I did something right... on occasion.
Viers knows his business. He's worked in film, radio, television and video games for years. According to his bio he's one of the world's largest independent providers of sound effects, with over 150,000 sounds and 150 sound libraries. He's also created sound libraries for large companies.
He's taken all that experience and crammed it into 326 fully-loaded pages. He starts out by explaining what sound effects are, from natural to manufactured to designed. Why start with such a basic? Because he's all about understanding what you're doing. So, if the chapter on the science of sound may seem like it's reiterating an old science class, remember; who among us can't benefit from a refresher course?
Not being mechanically/technically inclined I appreciated his information on microphones and their accessories, and even how to put together a portable recording package. In addition to helping you build your own Foley stage (complete with pictures, yippee) he covers studio equipment, recording in the field, recording Foley and working with a database. There's so much information it's hard to absorb it all. I'd like to say it's best taken in small increments, and for someone who works best by doing, it is, but at the same time, there's so much here you want to keep reading in case the next page contains something vital to your current project. However, keep in mind the book is laid out so you can quick reference specific needs without having to wade through unrelated information.
I have to say, some of the hard core technical information is a little hard for me to understand, even though it's written very clearly. But the more I read, the more I work on projects and the more I use this book, the more I will, and do, understand. I say this because to me it seems that Viers knows that having a good reference guide at hand is always a help, no matter how much you do or don't know.
In short, I highly recommend this book.
Sable Jak
Author: Writing the Fantasy Film The Sound Effects Bible: How to Create and Record Hollywood Style Sound Effects
Ric has done a great job by putting into his book years of personal experience in creating and editing sound effects. It's very accessible and comprehensive, and is a real must for anyone who wants to make their own sound effects. This Bible is a wonderful companion to my own book Sound Design in ways that are extremely practical and hands on. Thank you Ric!
I know almost nothing about actually creating or recording sound effects... but after reading The Sound Effect Bible, I felt like I could grab a mic and do it. (Which is total self-delusion, but still-- I FELT like I did.) This is a terrific book for anyone about to produce their own film or go to work in a post department... a comprehensive, easy-to-read, accessible reference guide.
Although I have worked as a studio engineer for recording music I never could have imagined the extreme differences when working on sound design and Foley recording. Making the switch over to sound effects was not as easy as I originally thought it would be, until I began catching up on my research starting off with this book. The Sound Effects Bible was clutch for me in the design field, providing me with a wealth of information and not over complicating the process. I highly recommend this book to anyone who is about to take the plunge into creating sound effects.
Great book. Gives you plenty of info on everything from how sound works, how to build a studio, reviews/advice on which gear to buy at different price points, how to create different sound effects and general tips and tricks of the trade. A great book to have and an easy read. If you're thinking of making a movie or going into the sound business Don't do Anything until you buy this book, or steal someone else's.
I once watched Ric Viers captivate an entire room with his stories about sound, sound editing, and sound effects. We were on a panel together, speaking to University Film and Video teachers about "new methods of teaching digital video."
When I later read The Sound Effects Bible I thought to myself that it could easily be called the "sound bible." Before talking about sound effects, Ric gives a great explanation of sound recording techniques, microphones and recorders... everything in the recording chain. His explanation of microphone types is one of the clearest and most concise that I've found.
The Sound Effects Bible is filled with Ric's enthusiasm, passion and entertaining stories. It's no wonder that he has become the world's largest supplier of sound effects! I especially liked the story of how he accidentally destroyed the junk yard owner's TransAm with a sledge hammer while recording car-crash sound effects.
(Ric is probably jumping up and down yelling at me right now, "This isn't a SOUND BIBLE, you MORON!" I suspect that Ric's idea of a proper sound bible would run about 2,000 pages... Sorry, Ric!)
Recommended for independent filmmakers, sound recordists, film teachers, film students, sound effects recordists and film buffs. - Sound Fx - Sound Design - Film Making - Music'
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